Painting Is Infinite Series
The 'Painting Is Infinite' series takes its title from a David Lynch quote in which he suggested that the restrictions of the film-making process do not apply to the field of painting and that indeed 'painting is infinite'. This series plays with the quote on a literal level; celebrating the mental faculty that enables man to be transported by Art, and how we choose to perceive ourselves within the universe as equal if not quite a part of it. Each work presents a platform for the contemplation of the universe by using a standard box canvas that has been subverted and redefined in order to function as a device through which to wonder at the mysteries and scale of the universe.
In my “Paintings Is Infinite” series I re-assign the objecthood of the reversed canvas stretchers with an altered state of identity. There is a point where the familiar shifts - at which the level of recognisability becomes terminated. By shifting zones of retinal perception, I alter the way in which the rear of a canvas is to be interpreted. By turning the canvas around and using the unfinished backing as the frame, I initiate the idea of the canvas as a portal that looks out. These pieces occupy a place amidst optically perceived physicality, at the point at which the imagination becomes conducive to metaphysical contemplation. Artistic mechanisms that I involve often include juxtaposition and a binary aesthetic; wonder and nihilism oscillate, the relatively micro near gazes out to the macro. The intention in the series is to generate minimal, zen-esque compositions that can present an intuitive point of departure towards what lies beyond. Here, I seek to instill a transcendent sense of wonder intended to guide the viewer to tap into the sublime, drawing attention to the mental faculty that enables man to be transported by Art. "
Painting Is Infinite (interplanetary/local space views) Essentially I am drawn to the power of vastness and the context of the wider picture; the compelling journey from that which is constricted within, to the cusp of the infinite. An existential dialectic may be detected from ruminations on the metaphysical aspects of time and space. I seek to instil a pure sense of wonder in my work intended to guide the viewer to tap into the sublime, celebrating the mental faculty that enables man to be transported by Art. I am particularly fond of a David Lynch quote postulating that the restrictions of the film making process do not apply to the field of painting and that indeed ‘painting is infinite’. The ultimately levelling template of the void is inherent at the core of everything i make. "The P.I.I. series serves as an ode to the infinite faculties of human imagination and creativity." |
David OM's process involves the interpretation of scientific representations whilst ruminating on the metaphysical. His often minimal, zen-esque compositions present an intuitive point of departure towards what lies beyond.
Selected for the biennial John Moores Painting Prize, the UK's most prestigious painting award. Also a recurrent exhibitor at Royal Mall Galleries, a finalist for the Discerning Eye, Lynn-Painter Stainers awards in addition to Cork St and involvement with the Royal Society of British Artists. The artist has provided extensive interviews for the international press and his work has featured on television including BBC4 and Sky Arts. David OM's art is held in collections spanning the globe.
Distant astronauts drift before infinity in splendid isolation, surveying the earth below, experiencing the cognitive shift in awareness brought about by the Overview Effect. Miniature figurines gaze outwards through trompe d'oiel windows created by the frame that stretches the canvas; presenting the back of the canvas in this manner suggests that the image lies somewhere in the infinite yonder, communicating a huge sense of scale.
David OM's art often operates at a place amidst optically perceived physicality and the point at which the imagination becomes conducive to metaphysical contemplation. Artistic mechanisms that he employs often include juxtaposition and binary aesthetics. Wonder and nihilism oscillate, the relatively micro near gazes out to the macro far as he manipulates devices in order to engineer re-codifying shifts of objecthood. Breaking through the local void of quotidian drudgery, his canvases convey infinite possibilities.
"Essentially I am drawn to the power of vastness and the context of the wider picture; the compelling journey from that which is constricted within to the cusp of the infinite. An existential undertow may be detected from ruminations on the metaphysical aspects of time and space. I seek to instil a pure sense of wonder in my work that will guide the viewer to tap into the awe of the sublime and transport the individual. I am particularly fond of a David Lynch quote postulating that the restrictions of the film making process do not apply to the field of painting and that indeed ‘painting is infinite’."